Dr. Sophie Kruijssen, Heidelberg
Patterns of reception. Tracing transnational exchange in painting with quantitative phylogenetic methods
In the early nineteenth century, British painting was seen as the epitome of modernity. In this work, it is shown that British influences played a key role in the nineteenth-century emergence of the German genre piece, as evidenced by numerous examples from the art-theoretical discourse, art criticism, the trade in paintings and prints, as well as German painting. By studying this phenomenon with phylogenetic methods, it is possible to systematically analyse, reveal, and explain the patterns and mechanisms behind a process of artistic exchange during a time when national boundaries were being crossed increasingly easily and frequently. (Quelle)
Vortragsreihe zur Digitalen Kunstgeschichte
Institut für Kunstgeschichte der LMU
Zentnerstr. 31
VORTRAG: Sophie Kruijssen, Heidelberg: Patterns of reception. 20. Juni 2017, 19:00 @LMU_Muenchen https://t.co/RSN3qxB9WN #digiKG pic.twitter.com/omCcav8lmy— Harald Klinke (@HxxxKxxx) 29. Mai 2017
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